


Dreamland by Rosa Rankin-Gee SIGNED edition
Published April 15th
'A rollicking and entrancing read, a dark and devastating funhouse ride through curtailed innocence and apocalyptic experience. And- most uniquely- a love letter to the waning magic and melancholy of British seaside towns. The final chapters petrified me! It is its own twist on the lucid dystopias of Diane Cook, Kirsten Roupenian and Emily St Jon Mandel. The book is also deeply cinematic- I was reminded, throughout, of Terry Gilliam's waterlogged neo-noir fantasy Tideland, as well as the dreamy realism of the films of Andrea Arnold and Lynne Ramsay.' Sharlene Teo, author of Ponti
Well, if you had, this is what you would have seen: soft wood, black cracks, fridges in the road. The broken spines of old rides at Dreamland.' In the coastal resort of Margate, hotels lie empty and sun-faded 'For Sale' signs line the streets. The sea is higher - it's higher everywhere - and those who can are moving inland.
Published April 15th
'A rollicking and entrancing read, a dark and devastating funhouse ride through curtailed innocence and apocalyptic experience. And- most uniquely- a love letter to the waning magic and melancholy of British seaside towns. The final chapters petrified me! It is its own twist on the lucid dystopias of Diane Cook, Kirsten Roupenian and Emily St Jon Mandel. The book is also deeply cinematic- I was reminded, throughout, of Terry Gilliam's waterlogged neo-noir fantasy Tideland, as well as the dreamy realism of the films of Andrea Arnold and Lynne Ramsay.' Sharlene Teo, author of Ponti
Well, if you had, this is what you would have seen: soft wood, black cracks, fridges in the road. The broken spines of old rides at Dreamland.' In the coastal resort of Margate, hotels lie empty and sun-faded 'For Sale' signs line the streets. The sea is higher - it's higher everywhere - and those who can are moving inland.
Published April 15th
'A rollicking and entrancing read, a dark and devastating funhouse ride through curtailed innocence and apocalyptic experience. And- most uniquely- a love letter to the waning magic and melancholy of British seaside towns. The final chapters petrified me! It is its own twist on the lucid dystopias of Diane Cook, Kirsten Roupenian and Emily St Jon Mandel. The book is also deeply cinematic- I was reminded, throughout, of Terry Gilliam's waterlogged neo-noir fantasy Tideland, as well as the dreamy realism of the films of Andrea Arnold and Lynne Ramsay.' Sharlene Teo, author of Ponti
Well, if you had, this is what you would have seen: soft wood, black cracks, fridges in the road. The broken spines of old rides at Dreamland.' In the coastal resort of Margate, hotels lie empty and sun-faded 'For Sale' signs line the streets. The sea is higher - it's higher everywhere - and those who can are moving inland.